Peter Jackson’s The Beatles: Get Back – The Rooftop Concert is heading back to Imax after a one-day, single-show screening last Sunday — the 52nd anniversary of the band’s iconic 1969 concert. The show and live Q&A with Jackson beamed directly to theaters had its share of sellouts, with audio and visuals about as close as possible to actually joining the band on the roof of their Apple Corps headquarters at 3 Savile Row. Disney and Imax are presenting it again February 9 at 75-80 locations, then on 200 screens starting February 11 through the weekend.
(The concert is also included in its entirety in Jackson’s six-part doc series The Beatles: Get Back, which hit Disney+ last fall. Click video above to play an exclusive clip.)
The film is one of of trio of music documentaries including New Worlds: The Cradle of Civilization and Poly Styrene: I Am A Cliché in theaters this weekend. Also opening, Cannes Best Actress winner Renate Reinsve in The Worst Person in the World, Norway’s Oscar-shortlisted submission for best international feature, and Cohen Media Group’s Breaking Bread – its first film of 2022 in a push by new distribution and marketing chief Justin DiPietro, formerly of IFC Films and Netflix. It’s also XYX Films’ first outing as a distributor with Ghosts of the Ozarks.
“Oscar voting has officially stopped, the Super Bowl is next weekend and you can find a hole,” said DiPietro. “The idea is to open New York and L.A., and then roll out [Breaking Bread] to five or six top markets and about 35 the following weekend in Landmark theaters [owned by Cohen Media Group founder-CEO Charles Cohen] and some of the top arthouses.” Cohen Media is committed to theatrical (no day and date) and caters to an older demo that’s been the slowest to return to theaters. “We need theatrical to work,” DiPeitro said. “We were waiting until that was an option.”
As Omicron wanes, is it? “That is certainly the hope,” he said, though he and others note the normal playbook has been tossed out the window. DiPietro is penciling in a film every month to six weeks including Fernando León de Aranoa’s The Good Boss with Javier Bardem (Spain’s Oscar-shortlisted international feature) and Israeli Oscar submission (and Cannes selection) Let It Be Morning by Eran Kolirin. (On Breaking Bread, CMG’s head of acquisitions Bob Aaronson connected with director Beth Elise Hawk through a personal reference and screened the film at the Santa Barbara Film Festival.)
(Worth noting: Alamo Drafthouse, the hip cinema eatery chain beloved by the young indie crowd, on Thursday announced plans to open seven new theaters between this year and next – welcome news to a specialty market that’s lost a few good locations to the pandemic.)
Back to the music: Cinelife Entertainment presents the alternative engagement New Worlds: The Cradle of Civilization. This unusual concert documentary, a blend of comedy, poetry, literature and music, was directed by Andrew Moscato and is toplined by Murray alongside world renowned cellist Jan Vogler, Mira Wang on violin and Vanessa Perez on piano. The film captures the last European stop of a worldwide tour held at the 2,000-year-old Odeon of Herodes Atticus in Athens in 2018. It premiered at Cannes alongside a live performance by Murray, et al. It opened on 150-plus screens this week and will roll out on 167 more from today through February 28 with one show per night.
Poly Styrene: I Am A Cliché opened February 2 with sold-out screenings in over a dozen locations, according to distributor Utopia. So the award-winning tribute to the punk rock icon, narrated by Ruth Negga and originally skedded for one night only, has booked encores into late February including a weeklong run in L.A. at the Lumiere Music Hall (and a sold-out show and live performance at Zebulon) along with additional weekend runs in San Francisco, Denver, Long Beach, Austin, Dallas, Seattle-Tacoma, Akron and Baltimore.
The film debuted at the Glasgow Film Festival with a North American premiere at SXSW. Co-written and co-directed by the singer’s daughter, Celeste Bell, it charts the story of Marianne Joan Elliott-Said, known by her stage name Poly Styrene, who fronted band X-Ray Spex in the 1970s, becoming the first woman of color to front a successful rock band in the UK.
The Worst Person In The World by Joachim Trier, presented by Neon, opens in New York City (Angelika Film Center, Walter Reade Theater) and Los Angeles (The Grove, The Landmark in West LA). The decorated film follows one woman’s quest for love and meaning in the modern world. Fluidly told in 12 chapters, it has a breakout performance by Reinsve as Julie, a vivacious 30-year-old in Oslo who embarks on relationships with two very different men (Anders Danielsen Lie and Herbert Nordrum) in a search for happiness and identity. It’s got a 99% with critics, and an 84% audience score on Rotten Tomatoes.
Deadline’s review, here, calls it “a sharp and poignant look at how one’s supposedly best years pass by so quickly you barely realize it.” Neon is planning to expand to the top 15 markets on February 11 and about 200 runs on February 18.
As noted above, CMG’s Breaking Bread opens in N.Y. and L.A. (Quad and Nuart). The doc, directed, written and produced by Hawk, follows preparations for a food festival (the 2017 A-Sham Festival in Haifa, Israel) where Arab and Jewish chefs teamed to create dishes celebrating the cuisine of a region where geopolitical boundaries are more defined than culinary ones. The festival was founded by Dr. Nof Atamna-Ismaeel, the first Muslim Arab to win Israel’s MasterChef, on a quest for social change through food. A 93% with critics on Rotten Tomatoes.
And XYZ Films presents Western horror Ghosts of the Ozarks starring Tim Blake Nelson, David Arquette, Angela Bettis, Thomas Hobson, Phil Morris and Tara Perry. Directed by Matt Glass and Jordan Wayne Long and written by Long, Perry and Sean Anthony Davis, this take on the Southern ghost story centers on a a young doctor in post-Civil War Arkansas who is mysteriously summoned to a remote town in the Ozarks to discover the utopian paradise filled with secrets and surrounded by a menacing, supernatural presence. In six theaters including NY/LA and on demand/digital.
James Shapiro, the former Neon exec tapped to run U.S. distribution, says it’s just a start; XYZ has 18 films slated.
Dark Star Pictures presents Alone With You, a thriller feature debut written and directed by Emily Bennett and Justin Brooks. A young woman painstakingly prepares a romantic homecoming for her girlfriend, but their apartment begins to feel more like a tomb when voices, shadows and hallucinations reveal a truth she has been unwilling to face. With Bennett, Emma Myles, Dora Madison and Barbara Crampton. On four screens — Laemmle Glendale (L.A.); Film Noir Cinema (NYC/Brooklyn); Coolidge Corner Theater (Boston); The Frida Cinema (Santa Ana) — and on demand/digital. Produced by Andrew Corkin (Martha Marcy May Marlene) and Theo James (Divergent) under their Untapped banner.
From Vertical Entertainment, Last Survivors. Suspense. Directed by Drew Mylrea. Written by Josh Janowicz. Starring Alicia Silverstone, Stephen Moyer and Drew Van Acker. Troy and his son Jake have been living off the grid for over 20 years. Every day is a fight for survival, with Troy warning his son of dire consequences should he go beyond the barriers of the woodland utopia they’ve built. Jake’s chance encounter with a beautiful stranger sees their world unravel in a shocking flood of secrets and lies.
RLJ Entertainment presents actioner Last Looks by Tim Kirkby, written Howard Michael Gould. Stars Charlie Hunnam, Morena Baccarin, Lucy Fry, Dominic Monaghan, Cliff “Method Man” Smith and Clancy Brown, with Rupert Friend and Mel Gibson. A disgraced ex-LAPD superstar is lured from a retired life of solitude deep in the woods to investigate a murder, contending with gangsters, Hollywood executives and pre-school teachers. Gibson is Alistair Pinch, an eccentric actor who is the prime suspect. In 10 theaters/markets including NY/LA.
Elsewhere in specialty: Mubi presents Cannes selection Lingui, The Sacred Bonds from veteran Chadian director Mahamat-Saleh Haroun. A poor 15-year-old girl seeks an abortion in an Islamic African country where the practice is both taboo and illegal. A 97% on Rotten Tomatoes. Deadline review here.
From Well Go USA Entertainment, The Long Night. Horror. Directed by Rich Radgsdale, written by Robert Sheppe, Mark Young. While searching for the parents she’s never known, New York transplant Grace (Scout Taylor-Compton) returns to her childhood southern stomping grounds with boyfriend (Nolan Gerard Funk) to investigate a promising lead. Their weekend takes a terrifying turn as a nightmarish cult terrorize the pair. On seven screens and digital platforms.
Dekanalog presents Air Doll. Adapted from the manga by Yoshiie Goda with cinematography by Mark Lee Ping-Bing (In the Mood for Love). A blow-up doll is given a soul and falls in love with a video store clerk. Opens on six screens including New York and L.A.
From Film Movement, The Whaler Boy, a Russian drama written and directed by Philipp Yuryev, about 15-year-old Leshka, who lives in a secluded village on the Bering Strait. The coming-of-age story in a male-dominated whaling community is the Russian helmer’s offbeat debut and took home the Venice Days award at last year’s Venice Film Festival. Virtual theater screenings since January 14, its opening at the Guild Cinema in Albuquerque today.